Chapter 5: Summary and Response

As you sharpen your analytical skills, you might realize that you should use evidence from the text to back up the points you make. You might use direct quotes as support, but you can also consider using summary.

A summary is a condensed version of a text, put into your own words. Summarizing is a useful part of the analytical process because it requires you to read the text, interpret and process it, and reproduce the important points using your own language. By doing so, you are (consciously or unconsciously) making choices about what matters, what words and phrases mean, and how to articulate their meaning.

Often (but not always), response refers to a description of a reader’s experience and reactions as they encounter a text. Response papers track how you feel and what you think as you move through a text. More importantly, responses also challenge you to evaluate exactly how a text acts upon you—to make you feel or think a certain way—using language or images. While a response is not an analysis, it will help you generate ideas for the analytical process.

Chapter Vocabulary
direct quote the verbatim use of another author’s words. Can be used as evidence to support your claim, or as language to analyze/close-read to demonstrate an interpretation or insight.
paraphrase author reiterates a main idea, argument, or detail of a text in their own words without drastically altering the length of the passage(s) they paraphrase. Contrast with summary.
response a mode of writing that values the reader’s experience of and reactions to a text.
summary a rhetorical mode in which an author reiterates the main ideas, arguments, and details of a text in their own words, condensing a longer text into a smaller version. Contrast with paraphrase.

Techniques

Identifying Main Points, Concerns, and Images

If you ever watch TV shows with a serial plot, you might be familiar with the phrase “Previously, on _________.” The snippets at the beginning of an episode are designed to remind the viewer of the important parts of previous episodes—but how do makers of the show determine what a viewer needs to be refreshed on? And why am I watching full episodes if they’ll just tell me what I need to know in the first minute of the next episode?

Typically, the makers of the show choose short, punchy bits that will be relevant in the new episode’s narrative arc. For instance, a “Previously, on The Walking Dead” might have a clip from ten episodes ago showing zombies invading Hershel’s farm if the new episode focuses on Hershel and his family. Therefore, these “previously ons” hook the viewer by showcasing only exciting parts and prime the viewer for a new story by planting specific details in their mind. Summaries like this are driven by purpose, and consequently have a specific job to do in choosing main points.

You, too, should consider your rhetorical purpose when you begin writing summary. Whether you are writing a summary essay or using summary as a tool for analysis, your choices about what to summarize and how to summarize it should be determined by what you’re trying to accomplish with your writing.

As you engage with a text you plan to summarize, you should begin by identifying main points, recurring images, or concerns and preoccupations of the text. (You may find the Engaged Reading Strategies appendix of this book useful.) After reading and rereading, what ideas stick with you? What does the author seem distracted by? What keeps cropping up?

Tracking Your Reactions

As you read and reread a text, you should take regular breaks to check in with yourself to track your reactions. Are you feeling sympathetic toward the speaker, narrator, or author? To the other characters? What other events, ideas, or contexts are you reminded of as you read? Do you understand and agree with the speaker, narrator, or author? What is your emotional state? At what points do you feel confused or uncertain, and why?

Try out the double-column note-taking method. As illustrated below, divide a piece of paper into two columns; on the left, make a heading for “Notes and Quotes,” and on the right, “Questions and Reactions.” As you move through a text, jot down important ideas and words from the text on the left, and record your intellectual and emotional reactions on the right. Be sure to ask prodding questions of the text along the way, too.

Double-column note-taking method
Notes and Quotes Questions and Reactions

Summarizing requires you to make choices about what matters, what words and phrases mean, and how to articulate their meaning.

Writing Your Summary

Once you have read and re-read your text at least once, taking notes and reflecting along the way, you are ready to start writing a summary. Before starting, consider your rhetorical situation: What are you trying to accomplish (purpose) with your summary? What details and ideas (subject) are important for your reader (audience) to know? Should you assume that they have also read the text you’re summarizing? I’m thinking back here to the “Previously on…” idea: TV series don’t include everything from a prior episode; they focus instead on moments that set up the events of their next episode. You too should choose your content in accordance with your rhetorical situation.

I encourage you to start off by articulating the “key” idea or ideas from the text in one or two sentences. Focus on clarity of language: start with simple word choice, a single idea, and a straightforward perspective so that you establish a solid foundation.

The authors support feminist theories and practices that are critical of racism and other oppressions.

Then, before that sentence, write one or two more sentences that introduce the title of the text, its authors, and its main concerns or interventions. Revise your key idea sentence as necessary.

In “Why Our Feminism Must Be Intersectional (And 3 Ways to Practice It),” Jarune Uwuajaren and Jamie Utt critique what is known as ‘white feminism.’ They explain that sexism is wrapped up in racism, Islamophobia, heterosexism, transphobia, and other systems of oppression. The authors support feminist theories and practices that recognize intersectionality.

Your next steps will depend largely on the reasons you are summarizing. Has your teacher asked you to summarize objectively, reproducing the ideas of the text without adding your own ideas or reactions? Have they asked you to critique the article, by both showing understanding and then pushing back against the text? Follow the parameters of your assignment; they are an important element of your rhetorical situation.

In most summary assignments, though, you will be expected to draw directly from the article itself by using direct quotes or paraphrases in addition to your own summary.

Paraphrase, Summary, and Direct Quotes

Whether you’re writing a summary or broaching your analysis, using support from the text will help you clarify ideas, demonstrate your understanding, or further your argument, among other things. Three distinct methods, which Bruce Ballenger refers to as “The Notetaker’s Triad,” will allow you to process and reuse information from your focus text.[1]

A direct quote might be most familiar to you: using quotation marks (“ ”) to indicate the moments that you’re borrowing, you reproduce an author’s words verbatim in your own writing. Use a direct quote if someone else wrote or said something in a distinctive or particular way and you want to capture their words exactly.

Direct quotes are good for establishing ethos and providing evidence. In a text wrestling essay, you will be expected to use multiple direct quotes: in order to attend to specific language, you will need to reproduce segments of that language in your analysis.

Whether you are quoting, paraphrasing, or summarizing, you must always include an appropriate citation.For support on citations, visit your Writing Center, access the Purdue OWL, or ask your teacher and classmates for support.

Paraphrasing is similar to the process of summary. When we paraphrase, we process information or ideas from another person’s text and put it in our own words. The main difference between paraphrase and summary is scope: if summarizing means rewording and condensing, then paraphrasing means rewording without drastically altering length. However, paraphrasing is also generally more faithful to the spirit of the original; whereas a summary requires you to process and invites your own perspective, a paraphrase ought to mirror back the original idea using your own language.

Paraphrasing is helpful for establishing background knowledge or general consensus, simplifying a complicated idea, or reminding your reader of a certain part of another text. It is also valuable when relaying statistics or historical information, both of which are usually more fluidly woven into your writing when spoken with your own voice.

Summary, as discussed earlier in this chapter, is useful for “broadstrokes” or quick overviews, brief references, and providing plot or character background. When you summarize, you reword and condense another author’s writing. Be aware, though, that summary also requires individual thought: when you reword, it should be a result of you processing the idea yourself, and when you condense, you must think critically about which parts of the text are most important. As you can see in the example below, one summary shows understanding and puts the original into the author’s own words; the other summary is a result of a passive rewording, where the author only substituted synonyms for the original.

Summary that needs work and a good summary
“On Facebook, what you click on, what you share with your ‘friends’ shapes your profile, preferences, affinities, political opinions and your vision of the world. The last thing Facebook wants is to contradict you in any way” (Filloux).[2] Original Quote
On Facebook, the things you click on and share forms your profile, likings, sympathies, governmental ideas and your image of society. Facebook doesn’t want to contradict you at all (Filloux). Try again.

When you interact with Facebook, you teach the algorithms about yourself. Those algorithms want to mirror back your beliefs (Filloux).

Good.

Each of these three tactics should support your summary or analysis: you should integrate quotes, paraphrases, and summary with your own writing. Below, you can see three examples of these tools. Consider how the direct quote, the paraphrase, and the summary each could be used to achieve different purposes.

Original Passage

It has been suggested (again rather anecdotally) that giraffes do communicate using infrasonic vocalizations (the signals are verbally described to be similar—in structure and function—to the low-frequency, infrasonic “rumbles” of elephants). It was further speculated that the extensive frontal sinus of giraffes acts as a resonance chamber for infrasound production. Moreover, particular neck movements (e.g. the neck stretch) are suggested to be associated with the production of infrasonic vocalizations.[3]

Example quote, paraphrase, and summary
Quote Paraphrase Summary
Some zoological experts have pointed out that the evidence for giraffe hums has been “rather anecdotally” reported (Baotic et al. 3). However, some scientists have “speculated that the extensive frontal sinus of giraffes acts as a resonance chamber for infrasound production” (Ibid. 3). Giraffes emit a low-pitch noise; some scientists believe that this hum can be used for communication with other members of the social group, but others are skeptical because of the dearth of research on giraffe noises. According to Baotic et al., the anatomy of the animal suggests that they may be making deliberate and specific noises (3). Baotic et al. conducted a study on giraffe hums in response to speculation that these noises are used deliberately for communication.

The examples above also demonstrate additional citation conventions worth noting:

  • A parenthetical in-text citation is used for all three forms. (In MLA format, this citation includes the author’s last name and page number.) The purpose of an in-text citation is to identify key information that guides your reader to your Works Cited page (or Bibliography or References, depending on your format).
  • If you use the author’s name in the sentence, you do not need to include their name in the parenthetical citation.
  • If your material doesn’t come from a specific page or page range, but rather from the entire text, you do not need to include a page number in the parenthetical citation.
  • If there are many authors (generally more than three), you can use “et al.” to mean “and others.”
  • If you cite the same source consecutively in the same paragraph (without citing any other sources in between), you can use “Ibid.” to mean “same as the last one.”

In Chapter Six, we will discuss integrating quotes, summaries, and paraphrases into your text wrestling analysis. Especially if you are writing a summary that requires you to use direct quotes, I encourage you to jump ahead to “Synthesis: Using Evidence to Explore Your Thesis” in that chapter.

Activities

Summary and Response: TV Show or Movie

Practice summary and response using a movie or an episode of a television show. (Although it can be more difficult with a show or movie you already know and like, you can apply these skills to both familiar and unfamiliar texts.)

  1. Watch it once all the way through, taking notes using the double-column structure above.
  2. Watch it once more, pausing and rewinding as necessary, adding additional notes.
  3. Write one or two paragraphs summarizing the episode or movie as objectively as possible. Try to include the major plot points, characters, and conflicts.
  4. Write a paragraph that transitions from summary to response: what were your reactions to the episode or movie? What do you think produced those reactions? What seems troubling or problematic? What elements of form and language were striking? How does the episode or movie relate to your lived experiences?

Everyone’s a Critic: Food Review

Food critics often employ summary and response with the purpose of reviewing restaurants for potential customers. You can give it a shot by visiting a restaurant, your dining hall, a fast-food joint, or a food cart. Before you get started, consider reading some food and restaurant reviews from your local newspaper. (Yelp often isn’t quite thorough enough.)

Bring a notepad to your chosen location and take detailed notes on your experience as a patron. Use descriptive writing techniques (see Chapter One), to try to capture the experience.

  • What happens as you walk in? Are you greeted? What does it smell like? What are your immediate reactions?
  • Describe the atmosphere. Is there music? What’s the lighting like? Is it slow, or busy?
  • Track the service. How long before you receive the attention you need? Is that attention appropriate to the kind of food-service place you’re in?
  • Record as many details about the food you order as possible.

After your dining experience, write a brief review of the restaurant, dining hall, fast-food restaurant, or food cart. What was it like, specifically? Did it meet your expectations? Why or why not? What would you suggest for improvement? Would you recommend it to other diners like you?

Digital Media Summary and Mini-Analysis

For this exercise, you will study a social media feed of your choice. You can use your own or someone else’s Facebook feed, Twitter feed, or Instagram feed. Because these feeds are tailored to their respective user’s interests, they are all unique and represent something about the user.

After closely reviewing at least ten posts, respond to the following questions in a brief essay:

  • What is the primary medium used on this platform (e.g, images, text, video, etc.)?
  • What recurring ideas, themes, topics, or preoccupations do you see in this collection? Provide examples.
  • Do you see posts that deviate from these common themes?
  • What do the recurring topics in the feed indicate about its user? Why?
  • Bonus: What ads do you see popping up? How do you think these have been geared toward the user?

  1. Ballenger, Bruce. The Curious Researcher, 9th edition, Pearson, 2018, pp. 88-91.
  2. Filloux, Frederic. “Facebook’s Walled Wonderland Is Inherently Incompatible with News.” Monday Note, Medium, 4 December 2016, https://mondaynote.com/facebooks-walled-wonderland-is-inherently-incompatible-with-news-media-b145e2d0078c.
  3. Baotic, Anton, Florian Sicks and Angela S. Stoeger. “Nocturnal ‘Humming’ Vocalizations: Adding a Piece of the Puzzle of Giraffe Vocal Communication.” BioMed Central Research Notes vol. 8, no. 425, 2015. US National Library of Medicine, doi 10.1186/s13104-015-1394-3.
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