Model Text: Model Metacognitive Reflection 2

Model Metacognitive Reflection 2[1]

I entered class this term having written virtually nothing but short correspondence or technical documents for years. While I may have a decent grasp of grammar, reading anything I wrote was a slog. This class has helped me identify specific problems to improve my own writing and redefine writing as a worthwhile process and study tool rather than just a product. It has also helped me see ulterior motives of a piece of writing to better judge a source or see intended manipulation.

This focus on communication and revision over perfection was an awakening for me. As I’ve been writing structured documents for years, I’ve been focusing on structure and grammatical correctness over creating interesting content or brainstorming and exploring new ideas. Our class discussions and the article “Shitty First Drafts” have taught me that writing is a process, not a product. The act of putting pen to paper and letting ideas flow out has value in itself, and while those ideas can be organized later for a product they should first be allowed to wander and be played with.

Another technique I first encountered in this class was that of the annotated bibliography. Initially this seemed only like extra work that may prove useful to a reader or a grader. After diving further into my own research however, it was an invaluable reference to organize my sources and guide the research itself. Not only did it provide a paraphrased library of my research, it also shined light on patterns in my sources that I would not have noticed otherwise. I’ve already started keeping my own paraphrased notes along with sources in other classes, and storing my sources together to maintain a personal library.

People also say my writing is dry, but I could never pin down the problem they were driving at. This class was my first exposure to the terms logos, ethos, and pathos, and being able to name and identify different styles of argumentation helped me realize that I almost exclusively use logos in my own writing. Awareness of these styles let me contrast my own writing with how extensively used paths and ethos are in most nonfiction writing found in books and news articles. I’ve noticed how providing example stories or posing questions can keep readers engaged while meaningfully introducing sources in the text, rather than as a parenthetical aside, improves the flow of writing and helps statements land with more authority.

As for narrative writing, I found the Global Revision Exercise for the first essay particularly interesting. To take a piece of writing and intentionally force a different voice or perspective on it showed how I can take improve a boring part of my paper by using a unique voice or style. This could be useful for expanding on reflective sections to evoke a particular feeling in the reader, or in conjunction with the Image Building Exercise to pull the reader into a specific moment.

This class was a requirement for me from which I didn’t expect to gain much. English classes I have taken in the past focused on formulaic writing and grammar or vague literary analysis, and I expected more of the same. Ultimately, I was pleasantly surprised by the techniques covered which are immediately applicable in other classes and more concrete analysis of rhetoric which made the vague ideas touched on before reach a more tangible clarity.


  1. Essay by Benjamin Duncan, Portland State University, 2017. Reproduced with permission from the student author.

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