Songs^[1]

(A text wrestling analysis of “Proofs” by Richard Rodriguez)

Songs are culturally important. In the short story “Proofs” by Richard Rodriguez, a young Mexican American man comes to terms with his bi-cultural life. This young man’s father came to America from a small and poverty-stricken Mexican village. The young man flashes from his story to his father’s story in order to explore his Mexican heritage and American life. Midway through the story Richard Rodriguez utilizes the analogies of songs to represent the cultures and how they differ. Throughout the story there is a clash of cultures. Because culture can be experienced through the arts and teachings of a community, Rodriguez uses the songs of the two cultures to represent the protagonist’s bi-cultural experience.

According to Rodriguez, the songs that come from Mexico express an emotional and loving culture and community: “But my mama says there are no songs like the love songs of Mexico” (50). The songs from that culture can be beautiful. It is amazing the love and beauty that come from social capital and community involvement. The language Richard Rodriguez uses to explain these songs is beautiful as well. “—it is the raw edge of sentiment” (51). The author explains how it is the men who keep the songs. No matter how stoic the men are, they have an outlet to express their love and pain as well as every emotion in between. “The cry of a Jackal under the moon, the whistle of a phallus, the maniacal song of the skull” (51). This is an outlet for men to express themselves that is not prevalent in American culture. It expresses a level of love and intimacy between people that is not a part of American culture. The songs from the American culture are different. In America the songs get lost. There is assimilation of cultures. The songs of Mexico are important to the protagonist of the story. There is a clash between the old culture in Mexico and the subject’s new American life represented in these songs.

A few paragraphs later in the story, on page 52, the author tells us the difference in the American song. America sings a different tune. America is the land of opportunity. It represents upward mobility and the ability to “make it or break it.” But it seems there is a cost for all this material gain and all this opportunity. There seems to be a lack of love and emotion, a lack of the ability to express pain and all other feelings, the type of emotion which is expressed in the songs of Mexico. The song of America says, “You can be anything you want to be” (52). The song represents the American Dream. The cost seems to be the loss of compassion, love and emotion that is expressed through the songs of Mexico. There is no outlet quite the same for the stoic men of America. Rodriguez explains how the Mexican migrant workers have all that pain and desire, all that emotion penned up inside until it explodes in violent outbursts. “Or they would come into town on Monday nights for the wrestling matches or on Tuesdays for boxing. They worked over in Yolo County. They were men without women. They were Mexicans without Mexico” (49).

Rodriguez uses the language in the story almost like a song in order to portray the culture of the American dream. The phrase “I will send for you or I will come home rich,” is repeated twice throughout the story. The gain for all this loss of love and compassion is the dream of financial gain. “You have come into the country on your knees with your head down. You are a man” (48). That is the allure of the American Dream.

The protagonist of the story was born in America. Throughout the story he is looking at this illusion of the American Dream through a different frame. He is also trying to come to terms with his own manhood in relation to his American life and Mexican heritage. The subject has the ability to see the two songs in a different light. “The city will win. The city will give the children all the village could not-VCR’s, hairstyles, drumbeat. The city sings mean songs, dirty songs” (52). Part of the subject’s reconciliation process with himself is seeing that all the material stuff that is dangled as part of the American Dream is not worth the love and emotion that is held in the old Mexican villages and expressed in their songs.

Rodriguez represents this conflict of culture on page 53. The protagonist of the story is taking pictures during the arrest of illegal border-crossers. “I stare at the faces. They stare at me. To them I am not bearing witness; I am part of the process of being arrested”(53). The subject is torn between the two cultures in a hazy middle ground. He is not one of the migrants and he is not one of the police. He is there taking pictures of the incident with a connection to both of the groups and both of the groups see him connected with the other.

The old Mexican villages are characterized by a lack of: “Mexico is poor” (50). However, this is not the reason for the love and emotion that is held. The thought that people have more love and emotion because they are poor is a misconception. There are both rich people and poor people who have multitudes of love and compassion. The defining elements in creating love and emotion for each other comes from the level of community interaction and trust—the ability to sing these love songs and express emotion towards one another. People who become caught up in the American Dream tend to be obsessed with their own personal gain. This diminishes the social interaction and trust between fellow humans. There is no outlet in the culture of America quite the same as singing love songs towards each other. It does not matter if they are rich or poor, lack of community, trust, and social interaction; lack of songs can lead to lack of love and emotion that is seen in the old songs of Mexico.

The image of the American Dream is bright and shiny. To a young boy in a poor village the thought of power and wealth can dominate over a life of poverty with love and emotion. However, there is poverty in America today as well as in Mexico. The poverty here looks a little different but many migrants and young men find the American Dream to be an illusion. “Most immigrants to America came from villages.

The America that Mexicans find today, at the decline of the century, is a closed-circuit city of ramps and dark towers, a city without God. The city is evil. Turn. Turn” (50). The song of America sings an inviting tune for young men from poor villages. When they arrive though it is not what they dreamed about. The subject of the story can see this. He is trying to come of age in his own way, acknowledging America and the Mexico of old. He is able to look back and forth in relation to the America his father came to for power and wealth and the America that he grew up in. All the while, he watches this migration of poor villages, filled with love and emotion, to a big heartless city, while referring back to his father’s memory of why he came to America and his own memories of growing up in America. “Like wandering Jews. They carried their home with them, back and forth: they had no true home but the tabernacle of memory” (51). The subject of the story is experiencing all of this conflict of culture and trying to compose his own song.

Works Cited

Rodriguez, Richard. “Proofs.” In Short: A Collection of Brief Creative Nonfiction, edited by Judith Kitchen and Mary Paumier Jones, Norton, 1996, pp. 48-54.

Teacher Takeaways “The student clearly states their thesis in the beginning, threading it through the essay, and further developing it through a synthesized conclusion. The student’s ideas build logically through the essay via effective quote integration: the student sets up the quote, presents it clearly, and then responds to the quote with thorough analysis that links it back to their primary claims. At times this thread is a bit difficult to follow; as one example, when the student talks about the text’s American songs, it’s not clear how Rodriguez’s text illuminates the student’s thesis. Nor is it clear why the student believes Rodriguez is saying the “American Dream is not worth the love and emotion.” Without this clarification, it’s difficult to follow some of the connections the student relies on for their thesis, so at times it seems like they may be stretching their interpretation beyond what the text supplies.”– Professor Dannemiller